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Mattiazzi

Immagine principale Mattiazzi

Wood furniture produced with the heart, mind and soul since 1979.

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"For the past 45 years, Mattiazzi has taken great care to responsibly source wood and sustainably create furniture with the post thoughtful designers.

 

Dedication to reducing our carbon footprint is longstanding, as is our pledge to respect the environment in evetything we do." 

In 1979, brothers Nevio and Fabiano Mattiazzi founded a wood workshop barring their family name and specializing in the production of top-quality wooden chairs. 

All Mattiazzi products are produced with great environmental sensibility and enjoy a minimal environmental footprint. On the roofs of the production halls there is an advanced solar farm, supplying all machines and production needs with in-house solar energy. Adding to the environmental efficiency and healthy logic, all wood rests are used in the winter to heat up the factory. 

Mattiazzi is passionate about wood and delivers exceptional craftsmanship bringing in mind other times and standards. Giving a rare quality promise and trusting high-quality products the company forms carefully it’s growing collection. 

 

"At Mattiazzi, we make the joy of living with wood accessible and by working with designers respected around the world, we’re able to provide a collection that compliments a wide variety of spaces and a range of different work styles."

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Lambl & Homburger

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OTO: The Making Of

CUGINO: The Making Of

SOLO: The Making Of

BRAND SELECTION
OUR PRODUCTS
Fionda Mattiazzi

Mattiazzi

MC6 FIONDA

The concept and charm is a canvas sling suspended from a frame: the most simple construction and a surprisingly comfortable seating experience.

Uncino Mattiazzi

Mattiazzi

MC9 - Uncino

The gently carved wooden pieces are held in place by bent metal rods - while wood remains the main actor, the metal parts play a fundamental role in the construction.

Forcina Mattiazzi

Mattiazzi

MC16 - Forcina

The collection Forcina by Leon Ransmeier comprises a chair, an armchair, and a stool with a steel frame, a wooden seat, and a backrest. The collection is rounded off with a table.

Quindici Mattiazzi

Mattiazzi

MC15 - Quindici

The chair comes in two styles: a simple, more upright armchair, and the more luxurious lounge version with an extra legrest.

MATTIAZZI_MC26 PIPAIO

Mattiazzi

MC26 - PIPAIO

"The expression of craftsmanship here lies in the careful execution, the choice of wood, the finish, the perfection.

Facile Mattiazzi

Mattiazzi

MC13 - Facile

The design for the FACILE came about as a result of our quest to build a bridge between the product ranges in the Mattiazzi collection.

Medici Mattiazzi

Mattiazzi

MC4 MEDICI

MEDICI is conceived as a low chair with a comfortably reclined posture. Its generous dimension gives the chair an embracing confidence.

Primo Mattiazzi

Mattiazzi

MC14 - Primo

Primo epitomizes the archetypal chair. Its design comprises of only the most basic elements —four legs, seat and backrest—.

Zampa Mattiazzi

Mattiazzi

MC18 - Zampa

"Design is an unpredictable process. While designing the Zampa stools I never imagined we would add a chair and an armchair to the family.

Solo Mattiazzi

Mattiazzi

MC5 SOLO

This robust yet simple and refined furniture family was thought to be used in cafès and restaurants, which is why it offers great flexibility - both in use and in the variations proposed.

Clerici Mattiazzi

Mattiazzi

MC10 - Clerici

CLERICI, Konstantin Grcic's second collection for Mattiazzi, radiates devout serenity. The main concept and the fascination of CLERICI lie in the grand simplicity of the design.

MATTIAZZI_MC27 DOPO

Mattiazzi

MC27 - DOPO

DOPO is the second collection designed by Studio OE for Mattiazzi.

Mattiazzi - MC23 - OTO Medium Console

Mattiazzi

MC23 - OTO

Studio OE aimed to create a mobile extension of architecture that would seamlessly blend into the living space and that invites to define its use according to individual needs.

Branca Mattiazzi

Mattiazzi

MC2 BRANCA

I observed that the power of the robot, the repetition of the machine and the skills of the craftsmen already have synchronised relationships at Mattiazzi, where each process is as carefully select